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“Imperial Nostalgias” by César Vallejo 🇵🇪 (16 Mar 1892 – 15 Apr 1938)
Translated from the Spanish by Clayton Eshleman
I.
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In the landscapes of Mansiche the twilight
fashions imperial nostalgias;
and the race takes shape in my word,
a star of blood on the surface of muscle.
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The bell tower tolls … There is no one to open
the chapel … One could say that
a biblical opuscule died in the words of
this twilight’s Asiatic emotion.
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A stone bench with three gourd pots, is an altarpiece
on which a chorus of lips have just raised
the Eucharist of golden chicha.
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Beyond, smoke smelling of sleep and stable
rises on the wind from the farms,
as if’a firmament were being exhumed.
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II.
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Like a relief on a pre-Incan block,
the pensive old woman spins and spins;
in her Mama fingers the thin spindle
shears the gray wool of her old age.
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A blind, unlit sun guards and mutilates
her sclerotic snowy eyes …!
Her mouth is scornful, and with a deceptive calm
her imperial weariness perhaps holds vigil.
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There are meditating ficuses, routed
shaggy Incan troubadours,
the rancid pain of this idiotic cross,
in the shameful hour that now escapes,
and is a lake soldering crude mirrors
where shipwrecked Manco Capac weeps.
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III.
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Like old caciques the oxen walk
the road to Trujillo, meditating …
And in the iron of the evening, they feign kings
who wander dead domains sobbing.
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Standing on the wall, I ponder the laws
happiness and anguish keep exchanging:
already in the oxen’s widowed pupils
dreams that have no when are rotting.
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The village, as they pass, is dressed in
harsh gray, where a cow’s mooing
is oiled with dreams and huaca emotion.
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And in the banquet of the blue iodized sky
an ancient exiled corequenque moans in
the chalice of a melancholy cattle-bell.
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IV.
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La Grama—gloomy, secluded, unadorned—
stifles I don’t know what unknown protest:
it resembles the exhausted soul of a poet,
withdrawn in an expression of defeat.
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La Ramada has carved its silhouette,
a cadaverous cage, alone and broken,
where my sick heart calms itself in
a statuesque tedium of terra-cotta.
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The song saltlessly arrives from the sea
fitted out in the farcical mask of a thug
who drools and staggers, hanged!
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The fog weaves a bandage about the lilac hill
enwalled with milliary dreams,
like a gigantic huaco holding vigil.