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“The End” by John Masefield 🏴󠁧󠁢󠁥󠁮󠁧󠁿 (1 Jun 187812 May 1967)
Some of life’s sad ones are too strong to die,
Grief doesn’t kill them as it kills the weak,
Sorrow is not for those who sit and cry
Lapped in the love of turning t’other cheek,
But for the noble souls austere and bleak
Who have had the bitter dose and drained the cup
And wait for Death face fronted, standing up.
As the last man upon the sinking ship,
Seeing the brine creep brightly on the deck,
Hearing aloft the slatting topsails rip,
Ripping to rags among the topmast’s wreck,
Yet hoists the new red ensign without speck,
That she, so fair, may sink with colours flying,
So the old widowed mother kept from dying.
She tottered home, back to the little room
It was all over for her, but for life;
She drew the blinds, and trembled in the gloom;
“I sat here thus when I was wedded wife;
Sorrow sometimes, and joy; but always strife.
Struggle to live except just at the last,
O God, I thank Thee for the mercies past.
Harry, my man, when we were courting; eh …
The April morning up the Cony-gree.
How grand he looked upon our wedding day.
‘I wish we’d had the bells,’ he said to me;
And we’d the moon that evening, I and he,
And dew come wet, oh, I remember how,
And we come home to where I’m sitting now.
And he lay dead here, and his son was born here;
He never saw his son, his little Jim.
And now I’m all alone here, left to mourn here,
And there are all his clothes, but never him.
He’s down under the prison in the dim,
With quicklime working on him to the bone,
The flesh I made with many and many a groan.
And then he ran so, he was strong at running,
Always a strong one, like his dad at that.
In summertimes I done my sewing sunning,
And he’d be sprawling, playing with the cat.
And neighbours brought their knitting out to chat
Till five o’clock; he had his tea at five;
How sweet life was when Jimmy was alive.”
And sometimes she will walk the cindery mile,
Singing, as she and Jimmy used to do,
Singing “The parson’s dog lep over a stile,”
Along the path where water lilies grew.
The stars are placid on the evening’s blue,
Burning like eyes so calm, so unafraid.
On all that God has given and man has made.
Burning they watch, and mothlike owls come out,
The redbreast warbles shrilly once and stops;
The homing cowman gives his dog a shout,
The lamps are lighted in the village shops.
Silence; the last bird passes; in the copse
The hazels cross the moon, a nightjar spins,
Dew wets the grass, the nightingale begins.
Singing her crazy song the mother goes,
Singing as though her heart were full of peace,
Moths knock the petals from the dropping rose,
Stars make the glimmering pool a golden fleece,
The moon droops west, but still she does not cease,
The little mice peep out to hear her sing,
Until the inn-man’s cockerel shakes his wing.
And in the sunny dawns of hot Julys,
The labourers going to meadow see her there.
Rubbing the sleep out of their heavy eyes,
They lean upon the parapet to stare;
They see her plaiting basil in her hair,
Basil, the dark red wound-wort, cops of clover,
The blue self-heal and golden Jacks of Dover.
Dully they watch her, then they turn to go
To that high Shropshire upland of late hay;
Her singing lingers with them as they mow,
And many times they try it, now grave, now gay,
Till, with full throat, over the hills away,
They lift it clear; oh, very clear it towers
Mixed with the swish of many falling flowers.