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“The Ninth Elegy” by Rainer Maria Rilke 🇦🇹 (4 Dec 187529 Dec 1926)
Translated from the German by J. B. Leishman & Stephen Spender
Why, when this span of life might be fleeted away
as laurel, a little darker than all
the surrounding green, with tiny waves on the border
of every leaf (like the smile of a wind):—oh, why
have to be human, and, shunning Destiny,
long for Destiny? …
Not because happiness really
exists, that premature profit of imminent loss.
Not out of curiosity, not just to practise the heart,
that could still be there in laurel …
But because being here amounts to so much, because all
this Here and Now, so fleeting, seems to require us and strangely
concern us. Us the most fleeting of all. Just once,
everything, only for once. Once and no more. And we, too,
once. And never again. But this
having been once, though only once,
having been once on earth—can it ever be cancelled?
And so we keep pressing on and trying to perform it,
trying to contain it within our simple hands,
in the more and more crowded gaze, in the speechless heart.
Trying to become it. To give it to whom? We’d rather
hold on to it all for ever … Alas, but the other relation,—
what can be taken across? Not the art of seeing, learnt here
so slowly, and nothing that has happened here. Nothing at all.
Sufferings, then. Above all, the hardness of life,
the long experience of love; in fact,
purely untellable things. But later,
under the stars, what then? the more deeply untellable stars?
For the wanderer doesn’t bring from the mountain slope
a handful of earth to the valley, untellable earth, but only
some word he has won, a pure word, the yellow and blue
gentian. Are we, perhaps, here just for saying: House,
Bridge, Fountain, Gate, Jug, Olive tree, Window,—
possibly: Pillar, Tower? … but for saying, remember,
oh, for such saying as never the things themselves
hoped so intensely to be. Is not the secret purpose
of this sly earth, in urging a pair of lovers,
just to make everything leap with ecstasy in them?
Threshold: how much it can mean
to two lovers, that they should be wearing their own
worn threshold a little, they too, after the many before,
before the many to come, … as a matter of course!
Here is the time for the Tellable, here is its home.
Speak and proclaim. More than ever
the things we can live with are falling away, and their place
being oustingly taken up by an imageless act.
Act under crusts, that will readily split as soon
as the doing within outgrows them and takes a new outline.
Between the hammers lives on
our heart, as between the teeth
the tongue, which, nevertheless,
remains the bestower of praise.
Praise the world to the Angel, not the untellable: you
can’t impress him with the splendour you’ve felt; in the cosmos
where he more feelingly feels you’re only a tyro. So show him
some simple thing, remoulded by age after age,
till it lives in your hands and eyes as a part of ourselves.
Tell him things. He’ll stand more astonished; as you did
beside the roper in Rome or the potter in Egypt.
Show him how happy a thing can be, how guileless and ours;
how even the moaning of grief purely determines on form,
serves as a thing, or dies into a thing,—to escape
to a bliss beyond the fiddle. These things that live on departure
understand when you praise them: fleeting, they look for
rescue through something in us, the most fleeting of all.
Want us to change them entirely, within our invisible hearts,
into—oh, endlessly—into ourselves! Whosoever we are.
Earth, isn’t this what you want: an invisible
re-arising in us? Is it not your dream
to be one day invisible? Earth! invisible!
What is your urgent command, if not transformation?
Earth, you darling, I will! Oh, believe me, you need
your Springs no longer to win me: a single one,
just one, is already more than my blood can endure.
I’ve now been unspeakably yours for ages and ages.
You were always right, and your holiest inspiration is
Death, that friendly Death.
Look, I am living. On what? Neither childhood nor future
are growing less … Supernumerous existence
wells up in my heart.