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“Two Illustrations That The World Is What You Make Of It” by Wallace Stevens 🇺🇸 (2 Oct 1879 – 2 Aug 1955)
I. The Constant Disquisition of the Wind
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The sky seemed so small that winter day,
A dirty light on a lifeless world,
Contracted like a withered stick.
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It was not the shadow of cloud and cold,
But a sense of the distance of the sun—
The shadow of a sense of his own,
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A knowledge that the actual day
Was so much less. Only the wind
Seemed large and loud and high and strong.
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And as he thought within the thought
Of the wind, not knowing that that thought
Was not his thought, nor anyone’s,
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The appropriate image of himself,
So formed, became himself and he breathed
The breath of another nature as his own,
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But only its momentary breath,
Outside of and beyond the dirty light,
That never could be animal,
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A nature still without a shape,
Except his own—perhaps, his own
In a Sunday’s violent idleness.
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II. The World Is Larger in Summer
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He left half a shoulder and half a head
To recognize him in after time.
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These marbles lay weathering in the grass
When the summer was over, when the change
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Of summer and of the sun, the life
Of summer and of the sun, were gone.
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He had said that everything possessed
The power to transform itself, or else,
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And what meant more, to be transformed.
He discovered the colors of the moon
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In a single spruce, when, suddenly,
The tree stood dazzling in the air
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And blue broke on him from the sun,
A bullioned blue, a blue abulge,
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Like daylight, with time’s bellishings,
And sensuous summer stood full-height.
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The master of the spruce, himself,
Became transformed. But his mastery
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Left only the fragments found in the grass,
From his project, as finally magnified.